The intimate, cinema-centric Jumpcut Cafe in Studio City has a melty New York treat for you.

We’ve almost reached the end of our WEIRD WORDS 2 short story contest. Once the deep red ink dries, we’ll be calling on our readers to vote on their favorite tale… But until that day comes, cuddle up and enjoy this nasty little hot mess, a scrappy and sexy little nightmare called…

The director of GINGER SNAPS and the star of its first sequel have teamed up for the new BBC America sci-fi/thriller series ORPHAN BLACK, and a new teaser trailer can be seen after the jump.

Mega producer of micro horror Jason Blum franchises out again with a sequel to last year's Scott Derrickson-directed spookshow. 

Found-footage movies tend to be cast with unknown, unrecognizable actors for that realistic feel, but the lead in the new THE FRANKENSTEIN THEORY will be a familiar face for many horror fans. Kris Lemche, whose credits include GINGER SNAPS and FINAL DESTINATION 3, toplines this Mary-Shelley-meets-BLAIR-WITCH project, and discusses it in this exclusive Fango interview.

The most effective AMITYVILLE movie in years is a one-on-one interview. 

The Soska sisters have created a new antiheroine for the 2010s, and she’s coming to theaters later this year. Read on for the date and a first look at the poster.

THE LAST EXORCISM PART II is the second contradictorily titled sequel to come out in as many months, after THE HAUNTING IN CONNECTICUT II: GHOSTS OF GEORGIA. I’m not the first to ask whether this means the original now has to be called THE SECOND-TO-LAST EXORCISM, and I probably won’t be the last to say the first should have remained the only.

One could argue that the goal for any horror or thriller filmmaker is to keep the audience, at the very least, figuring out the story’s twists and turns alongside the protagonist. As wonderful as it is for genre films to stay one step ahead of the audience, ensuring that any surprises along the way are surprising at all, the mechanisms by which suspenseful films run—tension between characters, atmosphere and gradual revelation of story—can still work well when viewers encounter the dread and shock at the same pace as the hero they have invested in.

This spring, Cinema Makeup School is partnering with three-time Oscar®-winning makeup artist Ve Neill and FANGORIA magazine to award its third annual Legends of Makeup Scholarship.

Produced by the Duplass Brothers and starring comedy hero Ken Marino, MILO gets a great poster promising toilets, monsters and a parrot on the shoulder of Peter Stormare.